01
Listen to what’s there
The conversation runs ahead of anything technical. Before tracking, mixing, or any production decisions, we sit with what you brought in and figure out where the music wants to go.
Recording Studio
A place where songs take shape.
You don’t need a finished song to start. Come in with what you have and we’ll figure out the right place to begin.
A work of art in progress.
That’s how the studio treats whatever you bring in – a demo, a fragment, an idea, or a question. Where the music goes from there is decided in the room, not by a template or a formula.
Inside a session
The work is collaborative, guided by what the music needs rather than by a clock. What actually happens depends on what you brought in and where you want to take it – and on the conversation that opens once we’re listening together. The pace is set by the song.
02
Find the way in
From there, we identify where the work actually wants to start. Sometimes that’s recording a fresh take, sometimes it’s reworking what’s already on tape, sometimes it’s a conversation about arrangement before anything else happens.
03
Make progress that serves the music
Tracking, arranging, production, or simply spending time responding to what’s already there. The focus stays on steady, thoughtful progress – the kind that serves the song rather than the schedule.
A room built to listen.
The studio runs three connected spaces. A control room with sightlines to the tracking floor, a live room with a vintage acoustic upright piano and room for a full band, and a dedicated vocal booth. Instruments live with the rooms – multiple drum kits, keyboards, a rack of guitars and amps – so sessions can stay in motion without chasing gear.
The build itself is purpose-made for recording. Double-wall construction, non-parallel walls to keep sound from bouncing back into the mic, floated floors that decouple the rooms acoustically, and a dedicated air-treatment system so HVAC never shows up on a quiet take. The rooms sound good before anyone touches a plugin.
What we offer
Recording, mixing, mastering, and production – each handled by engineers who work on it daily.
Recording
Tracking sessions in the live room or the vocal booth. Solo, full-band, overdubs, or live-off-the-floor depending on what the song asks for.
Mixing
Pulling all the tracks together into a finished song. Standard mixes for most material, advanced mixes when the arrangement demands more.
Mastering
Final polish before release. Standalone work, or as an add-on for clients who also mixed with us.
Production
Conor takes a project from idea to release-ready. Three package tiers depending on the scope of what you’re bringing in.
Rates
Two-hour minimum on recording sessions. All other services billed flat per song or per package.
Recording
- Stellar Nolan$60/hr
- Jillian Triedler$65/hr
- Conor “Conch” Wharton$75/hr
Mixing
- Jillian – Standard Mix$325
- Conor – Standard Mix$400
- Conor – Advanced Mix$525
Mastering
- Standalone Master$85
- Master Add-On (for mix clients)$70
Production
- Tier 1 – Production + Demo Vocals$900
- Tier 2 – Full Release-Ready Song$1,500
- Tier 3 – Premium Package (Alternate Version + Studio Video)$2,200
Each engineer brings their own way of working.
Resonate has three engineers in the studio. Conor leads engineering and production; Jillian and Stellar each bring distinct ears and methods to recording and mixing.
Starting is simple.
Tell us about what you’re working on.
You don’t need everything figured out first.
Inquire about a session
Tell us about your project and we’ll be in touch shortly.
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studio@resonatemusic.ca directly.